Sunday, 10 September 2017

The joys of sketching in Loddon

Only a six of us out today - perhaps the early morning fog or the distance from Norwich was the problem, who knows? Nevertheless, we knuckled down to some sketching with a couple of us choosing to work by the Church, the rest of us down by the staithe and the river Chet.

Years ago a tutor of mine used to say that "wherever you are there is always something to paint". I have always remembered this mantra so never walk far or spend hours looking for a subject. This held true today. Less than 200 yards down a footpath from the staithe, across a badly broken bridge that I was a little hesitant to cross, was this view across the water meadows.


I used my trusty Faber-Castell Pitt Brush pen to quickly establish the basic shapes then added a few watercolour washes to complete the sketch; in all perhaps 25 minutes work, at the most half and hour.

"Boatyard, Loddon"

Unfortunately, it was down hill all the way from then on. I thought I would use the sketch as reference for a small acrylic painting so opened my pochade box and started to squeeze out paint onto the palette. That's when I dropped an open, full tube of titanium white which went everywhere: on my hands, my coffee flask, the pochade box, the grass, my chair!!!

I then used up all the water and all the paper towels I had brought with me - which were meant for painting - to clean up the mess.

At that point I gave up and retired to the wonderful Rosie Lee's for a life saving coffee and a chat with my artist friends, most of whom had had a better morning than me, before the drive home. Hardly a successful morning but welcome to the joys of painting "en plein air".

Monday, 4 September 2017

Could you help me with the style of painting that would be best for me?


The above question from a student arrived in my in-box this morning.

How do I answer that question? How can I know what motivates that student to want to paint in the first place?

I know why I paint. I paint because it gives me the opportunity to express my personal vision. The process of applying colour to a flat surface enables me to explore, to discover, to share my view of the world.

Is that why this student paints?

Or are sales or gallery exposure or some other commercial consideration the motivator?

And what of the student’s painting knowledge and skill base? Does the student have a sound grasp of the elements and principles of painting, an appreciation of composition, an understanding of colour, an awareness of value, and so on?

I have found this question is usually asked by the student who is struggling to take on board and apply some of the basics and is seeking some sort of short cut to success or, alternatively, by the student who can’t be bothered to learn the basics at all.

These people seem to believe that “abstract” painting is the style they should adopt but, lacking the courage to say so, are looking to me to steer them in that direction so that their daubs might have some degree of justification.

For anyone seeking to hide behind the term “abstract expressionism” or “self-expressionism” as a way of covering up for their lack of knowledge, skill or application I remind them of the words of the creator and master of abstraction, Wassily Kandinsky:

"Of all the arts, abstract painting is the most difficult. It demands that you know how to draw well, that you have a heightened sensitivity for composition and for colours, and that you be a true poet. This last is essential."

This is usually enough to persuade them to knuckle down, to learn the fundamentals and to work - the sure and certain way of eventually finding their own style.

There is another, humorous quotation that I was tempted to use on one occasion but before I could, the student walked out telling me I didn’t know what I was talking about. It is from Fran Lebowitz, an American author and public speaker. I would like to share it with you now:

"Very few people possess true artistic ability. It is therefore both unseemly and unproductive to irritate the situation by making an effort. If you have a burning, restless urge to paint, simply eat something sweet and the feeling will pass,"


South Norfolk Sketchers and Becketswell

A low turn out for last Sunday's sketching morning - the on and off drizzle didn't help - but the six of us managed to produce some ...